R Contain textboxes which highlight and summarise key information r Provide helpful guidance on specialised musical terminology r Thorough guides to further reading assist the reader in investigating the topic in more depth Books in the series The introductions will also appeal to readers who want to broaden their understanding of the music they enjoy. ´ is Reader in Creative Music Technology at Anglia julio d’escriv an Ruskin University, Cambridge.Ĭambridge Introductions to Music ‘Cambridge University Press is to be congratulated for formulating the idea of an “Introductions to Music” series.’ Nicholas Jones, The Musical Times Each book in this series focuses on a topic fundamental to the study of music at undergraduate and graduate level. The Introduction as a whole reflects the many exciting areas found today in music technology, and aims to set aspiring musicians off on a journey of discovery in electronic music. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. Music Technology Emphasising the creative aspect of music technology, this Introduction sets out an overview of the field for music students in a non-scientific and straightforward way.
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